Srijeda, 28 Septembra, 2022
HomeDanceOverview: Alliance debut of Ballethnic's "Leopard Story" exhibits it takes a village

Overview: Alliance debut of Ballethnic's “Leopard Story” exhibits it takes a village


Like its foremost character, Ballethnic Dance Firm’s signature work The Leopard Story is one thing of an enigma.

Close to the tip, the Leopard finds himself surrounded by a band of spear-wielding Warriors. He escapes the chase by slipping behind a tree, then springs from hiding and throws himself onto the hunters’ shoulders in what appears to be a determined assault. This results in his seize and expulsion, adopted by a village-wide celebration.

Final Friday, for the primary time in 32 years, Ballethnic Dance Firm enlivened the Alliance Theatre’s foremost stage with The Leopard Story’s vibrant, multi-textured and life-affirming African music and dance.

However the ending could depart viewers members confused. Through the manufacturing’s first half, the Leopard gained sympathy as he endured dropping his mate, her offspring, his satisfaction — even his will to dwell — then fought to get it again. However when villagers celebrated his banishment, it was laborious to not surprise, did the manufacturing’s Act I protagonist turn into Act II’s villain? Which hero have been we speculated to root for?

Ballethnic Dance Company
Lucas (middle) because the Witch Physician in Act II. Gilreath, as a Priestess, kneels on the appropriate.

A little bit of context could assist present a solution.

When choreographer Waverly Lucas developed Act II in 1991 and added Act I in 1994, the ballet helped set up the corporate’s id by its distinctive mix of classical ballet with West African dance’s fluid, grounded polyrhythmic strikes.

From in the present day’s perspective, The Leopard Story exhibits how Lucas and cofounder Nena Gilreath tailored ballet, a European artwork type, for his or her multicultural and largely African-American group. In Ballethnic’s tackle dance, theatrical components are half of a bigger type that embraces and empowers group, simply as dance has executed for eons in indigenous cultures in Africa and worldwide.

Variety, fairness and inclusion have been on the forefront of Ballethnic’s mission a long time earlier than it grew to become a nationwide pattern, and Ballethnic shall be acknowledged on the Kennedy Middle this summer time for 32 years of doing this work.

As with American variations of The Nutcracker, and Ballethnic’s personal City Nutcracker set on Atlanta’s Candy Auburn Avenue through the Nineteen Forties, The Leopard Story gives a succession of roles for college students rising by Ballethnic’s faculty and a chance for them to carry out alongside professionals. Not like customary Nutcracker productions, The Leopard Story encompasses a West African savannah setting that's doubtlessly extra related to an individual of African ancestry. As an alternative of a sugar-coated fairy kingdom, we have now a pure ecosystem, a predatory world the place completely different teams of African animals, from gazelles and lions to vultures, hyenas and snakes — their distinct motion qualities including texture to Lucas’ choreography — compete to outlive.

Kat Conley’s new set design created an aura of freshness, with a backdrop of hut roofs and basket motifs woven in earth tones starting from terracotta and coral to sand-beige and teal. Round spiral motifs additionally represented hovering tree branches or swirls overhead that have been each vibrant and welcoming. L. Gerard Reid’s authentic rating and dwell West African drumming propelled the story of an enormous cat’s survival on the savannah and his subsequent encounter with people.

Calvin Gentry, with a taut, muscular physique seemingly made for the title position, embodied the Leopard’s ferocity and slinky grace. At one second, Gentry crouched low, clawed fingers gripping the bottom as he forged a penetrating stare on the viewers, his physique held in silent, alert stress. He shortly sprang right into a collection of daring pirouettes and aerial turns, then leapt simply past the soldiers’ attain.

Ballethnic Dance Company in "The Leopard Tale"
Gentry and Karla Tyson created a shifting story collectively in Act I.

Karla Tyson performed his mate, who misplaced her cubs to predators after which endured grief, starvation and her personal painful demise the identical approach. Tyson and Gentry made a fearlessly pushed on-stage pair who embodied their feline roles with deep dedication and glowing chemistry.

Tyson was a chameleon performer. After her first character died, she danced a slithery pas de deux as a part of a pair of featured Snakes, then helped lead in Act II as each Priestess and Villager, heightening the celebration with sturdy pointe work, clear strains, an articulate higher physique and a stunning smile.

Dr. Theresa Howard led Act II’s opening libation, inviting viewers members to take part in a standard blessing of their gathering place, the place liquid is poured as an providing to ancestors. Lucas appeared because the towering, deep-voiced Witch Physician. After a prolonged encounter between Leopard and a strong ensemble of male Warriors, completely different social teams — Elders, Warriors, Village Ladies, Priestesses, teenagers and youngsters — carried out distinct dances in colourful African patterned textiles and ceremonial gown.

It was, at instances, a bit excessive, maybe recalling Chuck Davis’ large-scale African dance concert events, however with classical ballet blended in. Gilreath, as Priestess, moved on and off pointe to drummers’ propulsive rhythms, her legs firmly pulled up, but cellular and grounded as her arms and higher physique articulated rhythms with free-swinging ease.

Dance of the African diaspora is ever-evolving, and a few of the choreography seems dated in the present day. College students with various skills appeared alongside sturdy professionals. All of it mirrored Ballethnic’s dedication to its group, and this manufacturing empowers group as a lot as many age-old indigenous dance types do theirs. As for the story’s ambiguous finish, it speaks to the worth of inclusiveness: even the stealthiest, fiercest and most resourceful of pure loners is not any match for the ability of a village.


Cynthia Bond Perry has coated dance for ArtsATL because the web site was based in 2009. Probably the most revered dance writers within the Southeast, she additionally contributes to Dance Journal, Dance Worldwide and The Atlanta Journal-Structure. She has an M.F.A. in narrative media writing from the College of Georgia.



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